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Speed Racer (2008)

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A young driver, Speed Racer, aspires to be champion of the racing world with the help of his family and his high-tech Mach 5 automobile.


(as The Wachowski Brothers), (as The Wachowski Brothers)


(as The Wachowski Brothers), (as The Wachowski Brothers) | 1 more credit »
3,060 ( 243)
1 win & 12 nominations. See more awards »





Cast overview, first billed only:
... Speed
... Young Speed Racer
... Mom
... Speed's Teacher
... Young Trixie
... Rex Racer
Giancarlo Ganziano ... Everyman Announcer (as Gian Ganziano)
... Local Announcer
... Harold Ledermann Announcer
... Japanese Announcer
... Russian Announcer
Sami Loris ... Italian Announcer
Olivier Marlo ... French Announcer
Sean McDonagh ... Celtic Announcer
... Sparky


The story begins with Speed Racer who is a young man with natural racing instincts whose goal is to win The Crucible, a cross-country car racing rally that took the life of his older brother, Rex Racer. Speed is loyal to the family business, run by his parents Pops and Mom. Pops designed Speed's car, the Mach 5. The owner of Royalton Industries makes Speed a lucrative offer, Speed rejects the offer, angering the owner. Speed also uncovers a secret that top corporate interests, including Royalton, are fixing races and cheating to gain profit. With the offer to Speed denied, Royalton wants to ensure that Speed will not win races. Speed finds support from his parents and his girlfriend Trixie and enters The Crucible in a partnership with his one-time rival, Racer X, seeking to rescue his family's business and the racing sport itself. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Plot Synopsis


Go! May 2008 See more »

Motion Picture Rating (MPAA)

Rated PG for sequences of action, some violence and language | See all certifications »

Parents Guide:




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Release Date:

9 May 2008 (USA)  »

Also Known As:

Race Chasers  »

Filming Locations:



Box Office


$120,000,000 (estimated)

Opening Weekend USA:

$18,561,337, 11 May 2008, Wide Release

Gross USA:

$43,945,766, 7 August 2008

Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?


In September 2000, Hype Williams was briefly hired to direct the film and writers Christian Gudegast and Paul Scheuring were hired to write the script. They left when the production failed to materialize. See more »


During the second leg of the Casa Cristo, Snake extracts oil from the back, thus causing Speed's tires to lose friction and almost to lose the race. This should have the same effect on Racer X and Togokhan, but it doesn't, despite the fact that they were directly behind Speed. See more »


[first lines]
Race Announcer: All drivers to your cars, please. All drivers to your cars.
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Crazy Credits

Throughout the first half of the closing credits Japanese/English/French/Spanish/Portuguese dialogue from Speed Racer (1967) can be heard, depending on the language of the country the film released in. See more »


Referenced in Who Wants to Be a Millionaire: Episode #7.155 (2009) See more »


Score from the Speed Racer
Classic Television Series (1966-1967)
Written by Nobuyoshi Koshibe
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Frequently Asked Questions

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User Reviews

The Hungry Desire of Eye
10 May 2008 | by See all my reviews

I saw this the same night as the latest film by my favorite filmmaker and I must admit that this held its own.

Sure, the story is silly and there are the requisite two lessons for children. All the shots with the parents could have been replaced with a dialog card so far as I care. But this is highly cinematic in a fine-grained sense.

Coursegrained long form would be the cinematic values of that Peter Greenaway film, where the narrative has substance and is cast cinematically. The contrast is shocking, with this Wachowski business seeming to be mere busy style.

But look again. There's real value in how the story is told even though the story is as close to vacuous white noise as possible. In fact, there's a statement there that matters. This movie is about movie-making. The watchers of the "race" are watchers of the movie. Its a simple fold.

I consider this the best of the brothers' films because their sometimes intriguing plots distract from their deeper intent. That intent is to visually explore what it means to watch. Sure, those plots are about watching as well. But people watch "The Matrix" and build religions around the story mechanics as if they matter. Previously, "Bound" was my favorite Wachowski film because it suppressed the noise of the story so as to equal the expression of that story in terms of the eye, the desire of eye.

These folks are to Welles as Coltrane is to Getz. They run riffs whose patterns are derived from the languid, meaningfilled studies of what went before, but which are presented so quickly you cannot possibly comprehend the fullness with which they were originally loaded.

That overloading of serious visual grammar has an immediate effect: that we are really there instead of digesting something filtered to be simple enough for us to understand. But there's a deeper effect: there is so much motion here, so many paths we can choose from to decide what we see, that there's a sort of tease between the film and our mind about what options they will present — and what tricks they will use to suggest paths to comprehension. And on our part to discard, to race ahead of the track suggested, to speed ahead and get to the end before even the movie.

I consider this serious work, and an advance in film grammar that possibly will be profound.

Ted's Evaluation -- 3 of 3: Worth watching.

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